How did they edit old films?
Initial edits were done with a positive copy of the film negative by physically cutting and splicing them together. The footage was hand-cut and attached with tape and then later glue. Editors needed to ensure accuracy, as the wrong cut would need a new positive print, which cost money and time to be reprinted.
Editing film used to literally be a cut-and-paste process, involving splicing and glue by hand. Splicing was the way film editors made their edits, working with copies of negatives and creating workprints.
A popular 1970-80s system for creating these transitions was the U-matic equipment (named for the U-shaped tape path). That system used two tape players and one tape recorder, and edits were done by automatically having the machines back up, then speed up together simultaneously, so that the edit didn't roll or glitch.
1950s: Flatbed editing tables, such as the Steenbeck and Keller-Elektro-Mechanik (KEM), are introduced as an alternative to the Moviola. These tables feature a series of rollers and motorized plates. Film splicing machines, such as the Ciro Guillotine Tape Splicer, also make an appearance in the 1950s.
By physically manipulating film. Film editors used desktop machines (for relatively large values of “desktop”) which allowed them to watch the film being edited on a small screen and manipulate the footage down to the individual frame. They'd then physically cut the film up into pieces.
At the beginning, this did involve using scissors to splice the footage and then using tape to attach it in the correct order. Methods like this were used until the 1920's, when the first editing machine, called the Moviola, was invented.
Physical editing was the standard practice. They would have an editing machine which had an eyepiece which the editor would look at to see the film.
Even in the 1980s, both film and video editing was linear. Film editing involved manually cutting and pasting strips of film. Video editing was the same — edits had to be made in sequential order. The first linear film editor was the Moviola, invented in 1924 by Iwan Surrier.
Before the widespread use of digital non-linear editing systems, the initial editing of all films was done with a positive copy of the film negative called a film workprint (cutting copy in UK) by physically cutting and splicing together pieces of film.
Titles were created on a card or a really long line of cards in the case of a credit crawl. That card was frequently shot on an Oxberry animation stand (or similar equipment.). The black lettering on white would become white letters on black on the film negative.
What was the first movie to use editing?
Enter editing. And at first, this was done very sparingly, and very simply with just scissors and glue. In 1898, Robert Paul made the one-minute short comedy, "Come Along, Do!", of which only 38 seconds survive today. This is generally considered to be the first edited film.
A Moviola (/ˌmuːviˈoʊlə/) is a device that allows a film editor to view a film while editing. It was the first machine for motion picture editing when it was invented by Iwan Serrurier in 1924.
In the 90's a lot of studios started moving to digital, even though the quality wasn't all that good yet, that's why you see a lot of films from then that look soft or grainy, depending on what filters they used and what kind of lighting.
The 1990s represented a golden era for CGI, with CGI masters maximizing the potential of the technology. Groundbreaking films from this era include Terminator 2: Judgment Day (1991), Jurassic Park (1993), Toy Story (1995), and The Matrix (1999), each setting new benchmarks for CGI.
In the 1970s CGI technology really gained a foothold within the entertainment community. 2D animator Peter Foldes created the first CGI animated short film, drawn on a data tablet.
Arriving during a time of transition in filmmaking, the EditDroid helped popularize non-linear editing tools. The allure of George Lucas and Star Wars introduced people to the technology and its ability to make editing faster, and eventually, cheaper.
The very first fan edit can be traced back to 1975, when Star Trek fan Kandy Fong made a slideshow of Star Trek outtakes inspired by The Beatles' music video for "Strawberry Fields Forever." In a 2012 interview, Fong described the lightbulb moment: "[The Beatles] weren't standing there and playing instruments, which ...
Film editing is a painstaking process that involves three film versions: the rough cut, the director's cut, and the final cut that goes to theaters.
The Early Days of Film Editing
The first film editor, James Williamson, used simple techniques such as cutting and splicing to create the illusion of movement in films. Later, filmmakers like D.W. Griffith used cross-cutting to create tension and suspense in films like "The Birth of a Nation" (1915).
Before digital video, editing was done by connecting video tape machines together and manually controlling when the tapes started, stopped, and switched sources. Edits were done by stopping one tape, starting another, and switching between them at the desired moment.
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